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Whatever
In "Whatever" we are presenting a blank spot. Now this place is occupied by Anton's boots, next time it will be something else — it could be whatever.
2020
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Penetration
Penetration installation was shown in Moscow during the solo exhibition in A3 gallery; artists just disassembled the sealing and hung up the lightbox.
2019
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Jubilation
The weak and sharp sound object was made from the shirt, which was cut into pieces for medical purposes, during the Indochina drift.
2019
![](https://cdn.myportfolio.com/53c5258d-ae73-4b8d-9a75-ad1cddff4c89/f0eef1c1-13f2-4b44-8405-3abb26ab72e9_car_202x158.png?h=fed1f331a85300be807240eea4e6c9be)
Ball
Ball is God, or God as a Ball? is a multimedia installation, artists employ a basketball found in the river for media manipulations to demonstrate the cognitive seam between various appearances (vision and sound) of the object.
2019
![](https://cdn.myportfolio.com/53c5258d-ae73-4b8d-9a75-ad1cddff4c89/b6b5a6e2-8562-4f0b-8802-c4c9178d7b02_car_202x158.jpg?h=3e4b133e09d5c61736e1ee9fb47dde78)
Throat
The loudspeaker was installed as an intervention in the ZKM museum’s corridor and worked for two weeks. Every fifteen minutes, it reproduced the phrase: “We use your ears and your eyes now!” Fifteen minutes is the time for a visitor to pass this corridor from one segment of the museum to another.
2018
![](https://cdn.myportfolio.com/53c5258d-ae73-4b8d-9a75-ad1cddff4c89/53550f53-1472-4e2d-a309-574c3007496e_car_202x158.jpg?h=81f9a99d760bc0ee1018cdfde214e1f7)
God Invented the Cyclist
Media Ecology, which can be reduced to the separation between medium and content, requires the establishment of particular autonomy and brings a political dimension to media studies.
2017
Content
During the Tidy Room exhibition, the Poly Gallery was filled with objects found by Marika and Anton on the streets of Karlsruhe: abandoned household appliances, furniture, dishes, and unnecessary things that were pushed out the door by the householders.
2017
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Fid
A Fid is a tool that creates holes in the ground equal to itself.
2016