170728 Shreds vol.1 (the Best)

A fragment of graphic experiments carrying the stamp `Music Does Not Speak`, with traces of oil, acrylic and ink.

28.07.17
shreds

Authorial Comment

Ну, это графическая работа, или фрагмент графической работы. Какие-то склеившиеся листы, фрагменты графических экспериментов 16 года, с печатью Music Does Not Speak. У нас тогда был такой набор резиновых печатей, которые мы купили в Берлине, и мы их использовали часто в работе с этими обрывками. Ну, также там какие-то остатки масляной и акриловой краски и туши. Возможно, мы работали с этим в Кадакесе, на камнях.

Relations

- Shreds vol.1 (the Best) — The Best / portable pink-folder selection described by the artists in 2026.

Related Works

Shreds vol.1 (the Best)

170729 Shreds vol.1 (the Best)A collage of found fragments combining a child’s drawing, an anatomical image, wrestler stamps, and the phrases `Apply glitter to your face` and `House sends delight`.
170802 Shreds vol.1 (the Best)A Budapest paper carrying the text of Toto Cutugno’s `Soli`. It belonged to a group of sheets subjected to physical treatments, including soaking in the Danube, and was kept on the artists’ door.
150623 Dresden RoomDresden Room is an installation made in the office where Marika Krasina and Anton Kryvulia were living and working in Dresden. The room brought ordinary belongings and living conditions into the same field as paintings, drawings, found printed matter, books, clothes, food, musical equipment and working materials. On 21 June 2015 the artists inventoried its contents in the separate Work 150621_Common Body. Thomas Schmidt photographed Dresden Room two days later, on the Work’s canonical date, 23 June 2015.