Authorial Comment
The first ever appearance of the empty Bubble on our canvas.
Detail
A more methodical painting experiment made as the broad Future Dishes / early White Mold investigations were becoming a repeatable formal grammar, in a search for a surface that could remain open while being increasingly organised. Tea and bleach are explicitly remembered among the materials; the exact full material list remains unresolved.

This operation remains even when the geometric form disappears. In later painting the plane can be opened not by a cube, tube or cone but by fog, indeterminacy, a state in which the image seems about to appear but has not yet appeared. The means change, but the same problem remains: how to hold form at the moment of emergence, preventing it from finally closing into a sign or a stable image. Noise Index, White Mold, spatial forms and the later “fog” can therefore be understood not as separate stylistic periods but as a sequence of different instruments in the same work of opening form.
Related Works
White Mold



